印(🙅)度(🔛)每年有超(chāo )过二万(wàn )宗针(💮)对(🐪)(duì(🍪) )女性的(de )暴力罪案，平均每二(😮)十(🔒)二分钟就有一(yī )名女性(xì(🛍)ng )被(⏭)强暴(bào )，每六(liù )小时就有一(🛬)名(👴)妇(🐉)女(nǚ )因家庭(tíng )暴力丧(sàng )命(💞)。年(🧥)(nián )轻的基层女警索妮与上(🔚)司(🗼)卡帕纳在德(dé )里一同(tóng )接(🔁)手(🏿)调(diào )查不同(tóng )的女性暴力(🕉)(lì(👊) )事(🍕)件，在办案(àn )过程中(zhōng )往往(☝)遭(😔)(zāo )受到了重大阻力，无日无(🏻)之(🆔)的(de )罪案令(lìng )她脾气(qì )暴躁(🙌)，做(🕜)事(🍱)方式偏离常规(guī )，被裁(cái )定(🏖)在(☔)执(zhí )勤中行(háng )为不当，而私(💋)人(🐇)生活也影响到了她的(de )职业(✨)表(📥)(biǎ(📎)o )现，与(yǔ )丈夫已(yǐ )经彼此疏(💦)离(⤴)，却要(yào )被迫面(miàn )对他突(tū(✡) )然(🅿)的到(dào )访。印度电影少见的(🔫)写(🅱)实题材，以一(yī )场一镜(jìng )营(🚷)造(💘)出(🚉)(chū )真实迫(pò )力，将社会(huì )低(🚘)下(🚵)层(céng )女性受(shòu )到压迫(pò )的(😔)问(🍑)题(tí )表露无遗。
20世纪福克斯(🏁)最(🚀)近(🦁)买下了Alma Katsu下(xià )部小说(shuō )《饥饿(📦)(è(🤭) )》（The Hunger）的电影版权(quán )，这部(bù(🛴) )小(🔠)说以(yǐ )《行尸(shī )走肉》的风格(😹)叙(👣)述(🐍)了北美历史上最恐(kǒng )怖的(🈵)一(💆)(yī )段“食(shí )人”历(lì )史。
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一名参(⬛)加(📛)过一(yī )战的退(tuì )伍军人(ré(✒)n )被(⬅)派往(wǎng )库塔那德担任邮差(🧔)，负(➕)责(🔳)给服役士兵(bīng )的家属(shǔ )递(🧢)送(📵)补(bǔ )助金及(jí )信件。随着(zhe )第(🐷)二(🖼)次(cì )世界大(dà )战的爆(bào )发(🌮)，他(🌟)(tā(🥂) )的身份逐渐发生了变化，从(🔻)送(💂)钱之人(rén )变为了(le )报丧之(zhī(👭) )人(🍟)。
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
讲述一名退(tuì )休的杀(shā(🧗) )手(🏦)，无(👌)(wú )奈之下(xià )只能重操旧业(👡)，用(⛴)上以往的杀戮技能(néng )，跟曾(🍄)(cé(🔖)ng )经的雇(gù )主大战(zhàn )一场...
